The department is grateful to the Incorporated Society of Musicians (ISM) for providing us with a copy of this issue of the Music Journal, which we understand is normally made available solely to its members.

Whilst the department acknowledges that there are challenges to delivering high quality music education in every school, schools the length and breadth of the country are doing just that. The White Paper is clear that ‘as part of a richer school week, all children should be entitled to take part in sport, music and cultural opportunities and that these opportunities are an essential part of a broad and ambitious curriculum’, a point that the ISM itself acknowledged in its response to the White Paper.

The department was pleased to note that the ISM has welcomed the refreshed National Plan for Music Education, which we published in June 2022 and in particular its restatement of the importance of music as an essential part of a broad and ambitious curriculum for all pupils.

The higher education (HE) reforms, to which the Incorporated Society of Musicians article refers, were subject to consultation earlier this year. The consultation outlined proposals for controls to prevent the growth of low-quality courses with poor outcomes and sought views on what was a fair and appropriate level at which to potentially set a minimum eligibility requirement for access to student finance for degree-level study. The consultation period has now concluded and we are considering the views submitted. The government will respond in due course.

The article concentrates on the government’s proposal to prevent the growth of low-quality courses. If implemented, all areas of HE would be considered, including creative arts, humanities, and science, technology, engineering and mathematics (STEM) courses, to inform an assessment of which provision offers the best outcomes. Our focus would be on courses which are of the lowest quality. Supporting students onto high-quality HE courses, that will offer them good outcomes, ensures that students, of all backgrounds, are not misdirected or encouraged towards courses that are unlikely to provide high-quality outcomes and good value for money. This will support levelling up.

ATA Carnets are not a requirement for anyone temporarily importing goods between the UK and EU. They are an optional facilitation which allow goods to be imported temporarily without the normal customs formalities (i.e. customs declarations) and import duty being paid. They allow a single document to be used for multiple countries’ customs controls.

The use of an ATA Carnet is subject to an issuing fee and a requirement to provide a security. It is therefore a commercial decision for businesses and individuals whether a Carnet is the most suitable option for temporarily moving their goods. The Government is not currently having any discussions with the EU to negotiate a waiver of ATA Carnets for creative artists.

An alternative option to an ATA Carnet is the Temporary Admission (TA) procedure. The UK and EU both operate a similar TA procedure which allows goods to be imported temporarily with relief from customs duty and import VAT, subject to certain conditions being met. If TA is used in conjunction with the UK or EU Returned Goods Relief scheme (for returning goods), goods can be moved temporarily between the UK and EU without having to pay import duties.

The Government recognises the significant challenges that the pandemic has created for our creative industries and our support to the sector has been unwavering throughout.

We know the move to Step 4 will come as welcome news to our creative sectors but we also recognise that many organisations are still in need of emergency support. This is why we recently announced the final £300 million of the Government’s £2 billion Culture Recovery Fund (CRF) in late June. In particular, portals are currently open for the Emergency Resource Support element of this round, which will provide further support for organisations in need of urgent funding as the cultural, heritage and creative sectors move towards reopening at full capacity.

This extra support is on top of the £1.2 billion that has already been awarded to over 5,000 individual organisations and sites in previous rounds of the CRF. Throughout the pandemic, we have introduced an unprecedented package of pan-economy support including generous employment schemes, grants, loans, a reduction in VAT and business rate relief, in addition to other sector specific support such as the Film and TV Production Restart Scheme. Our Plan For Jobs has also supported jobs and businesses with over £400 billion of economic support – one of the most generous and comprehensive packages in the world.

UK citizens going to the EU for shorts stays and EU, EEA and Swiss citizens visiting the UK are already visa free. Musicians and performers can already undertake short-term touring without visas and permits in at least 18 Member States.

EU visa waiver agreements are also subject to the provisions of Article 6 (3) of REGULATION (EU) 2018/1806 OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL which sets out an individual Member State may still decide to require a visa for short stays for people carrying out a paid activity during their stay.

The EU’s draft text for the Trade and Cooperation Agreement included a visa waiver agreement, which would have prohibited the parties from introducing visa requirement on visitors from the other party unless those visitors were carrying out a paid activity (i.e. service supply or performance) during their stay. In the event they were carrying out a paid activity individual Member States could apply a visa requirement to this category of service suppliers. The ability of the UK to apply visas would have been restricted only to reciprocating by applying a visa requirement to the same category supplier for the individual member state.

The EU’s proposal would also have prevented the UK from introducing or maintaining visit visas on any future EU Member State, not just on existing ones. In effect handing to the European Union the ability to make a country a non-visa national for travel to the UK without the consent or approval of the UK.

The Government is now focusing on bilateral engagement with Member States to encourage them to more closely align with the UK's generous regime.

The Government recognises the world-leading position of the UK performing arts sectors and the rich breadth of artistic talent across the UK.

UK performers and artists are of course still able to tour and perform in the EU, and vice versa. However, we understand the concerns about the new arrangements and we are committed to supporting the sectors as they get to grips with the changes to systems and processes.

As the Prime Minister has said, we're working flat out with the industry, including through the DCMS-led working group, on plans to support the creative sectors to tour in Europe. Through our bilateral discussions with EU Member States, we have established that in at least 17 out of 27 Member States some touring activities are possible without visas or work-permits. The UK has significantly more generous arrangements for touring professionals than many Member States, and should they be willing to change their rules to match ours we will have those discussions and encourage them to do so.

UK performers and artists are of course still able to tour and perform in the EU, and vice versa. However, we understand the concerns about the new arrangements and we are working with the creative and cultural sectors to help them get to grips with the changes to systems and processes.

As the Secretary of State has said, we have moved at pace and with urgency on plans to support the creative sectors to tour in Europe. We have engaged with touring creative service companies, including through the DCMS-led working group. Sector representatives on the working group are encouraged to reach out to others to ensure the working group hears and understands the views and concerns of organisations and individuals right across the cultural and creative sectors. Engagement with the sector has been extremely helpful and we are grateful for the cooperation of numerous organisations.

Through our bilateral discussions with EU Member States, we have established that in at least 17 out of 27 Member States some touring activities are possible without visas or work-permits. The UK has significantly more generous arrangements for touring professionals than many Member States, and should they be willing to change their rules to match ours we will have those discussions and encourage them to do so.

In negotiations with the EU, the Government sought a mutually beneficial agreement that would have allowed artists and musicians to continue performing across the continent without the need for work permits. The EU turned down this proposal. The draft legal text published by the EU on their website on 18 March contained proposals regarding visa-free travel. These only covered ad-hoc performances, which were non-binding, and did not address technical staff or the issue of work-permits. These proposals would not have addressed the sector's concerns.

This Government recognises the importance of the UK’s world-leading cultural and creative industries. We recently demonstrated that commitment by providing an unprecedented £1.57 billion package of support to help them through the covid-19 pandemic. During the negotiations with the EU, we pushed for ambitious arrangements allowing performers and artists to work across Europe.

The Government also recognises the importance of touring for UK musicians and other creative professionals, and has engaged extensively with the creative industries and arts sector since the announcement of the Trade and Cooperation Agreement to ensure they are aware of the new requirements.

We recognise the crucial role that highly skilled workers play in making our creative industries world-leading, and the Government is providing extensive support to workers in these sectors. The £1.57 billion Culture Recovery Fund provides targeted support to critical cultural, arts and heritage organisations to help them, and the skilled workers that work in them, survive and recover from the Covid pandemic. In addition Arts Council England has made £119 million available to individuals (including freelancers) and in July, the Government also announced a UK-wide £500m Restart scheme to support film and TV production companies that have been unable to film due to the lack of insurance covering Covid-related risks. As of 19 November, the scheme is supporting over 4,500 jobs.

The Government also recently announced the extension of both the Self-Employment Income Support Scheme and the Coronavirus Job Retention Scheme until March 31 2021. This generous support will help creative businesses across the country to protect their employees’ jobs during this difficult winter period.

Government continues to engage regularly with stakeholders such as the BFI, the Creative Industries Federation and the Creative Industries Council to ensure we understand the impact of Covid-19 on the skills and talent needed to keep the UK’s creative industries a global success.

We recognise that businesses and workers in the creative industries have been severely impacted by Covid-19.

The Government has not made an assessment of the number of workers who have left the music, performing arts and creative sector since March. We have worked closely with music and cultural sector representative bodies to maximise the survival of businesses and employee retention in the sector, through the extensive range of support the Government has provided to businesses and the self-employed.

We are committed to continuing to work with the music and cultural sectors to understand the difficulties they face and help them access support through these challenging times and through recovery.

Last week, the Chancellor of the Exchequer announced additional measures to support businesses and organisations that have been impacted by the pandemic.

This includes the Government stepping in to help pay people’s wages – a scheme which is one of the most generous of any in the world – paying grants to support as many jobs as necessary. Any employer in the country who promises to retain their staff, can apply for a grant to cover most of the cost of paying people’s wages. Government grants will cover 80 per cent of the salary of retained workers up to a total of £2,500 a month, with this limit set well above the median income. The cost of wages will be backdated to 1st March and will be open for at least three months. The Government will consider extending the scheme for longer if necessary.

We are also deferring the next three months of VAT, a direct injection of £33 billion of cash to employers which means no business will pay any VAT in March, April or May; and they will have until the end of the financial year to repay those bills.

The Coronavirus Business Interruption Loan Scheme will now be interest free for twelve months, an extension from the initial announcement of six months. We have already introduced and announced an extension to the Business Interruption Loan Scheme, which is for small and medium-sized businesses. On Tuesday, the Chancellor expanded the amount that can be borrowed from £1.2 million to £5 million.

Government’s analysis on how leaving the EU may affect the UK economy, including Implications for Business and Trade of a No Deal Exit, is available on gov.uk.

As part of this process, the Government has worked across all sectors, including the creative industries, and published technical notices on gov.uk to help creative professionals understand the implications of No Deal, allowing them to take practical preparatory steps. The guidance includes information on trade and a partnership pack with a specific chapter on creative professionals touring in the EU in the event of No Deal.

The Prime Minister has been clear that free movement of people will end as we leave the EU.

In future it will be for the UK Government and Parliament to determine the domestic immigration rules that will apply. We are carefully considering a range of options for the future immigration system and we will make decisions based on evidence and engagement. This will help us design a new immigration system that works in the national interest. We will publish a White Paper on the future border and immigration system later this year.

But we recognise that mobility is a key element of economic, cultural and scientific cooperation. That is why we want to agree a reciprocal mobility framework with the EU that will support businesses to provide services and allow people to travel without a visa for temporary business activity.