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To ask the Secretary of State for Culture, Media and Sport, what discussions her Department has had with the British Museum on public-facing signage changes referencing Palestine, Palestinian and Israelite occupation.
To ask the Secretary of State for Culture, Media and Sport, what discussions her Department has had with the British Museum on public-facing signage changes referencing Palestine, Palestinian and Israelite occupation.
The British Museum is curatorially independent of the Government. Decisions on signage and object labelling are made by curatorial experts at the Museum.
DCMS officials have discussed these matters with British Museum officials to understand the Museum’s decision. We note the Museum’s public statements made in February 2026, which explain the curatorial justifications for two recent changes.
I. The British Museum (BM). Framework Document. NDPB Charity. 2025-2028. Incl. Annex A: Guidance. 32p [See document named 'Amendment 2] for latest version]. II. Annex B: Cultural freedom bodies’: Freedoms charter. 8p. III. Annex C: Commercial activities and reporting requirements. 5p. IV. The British Museum (BM). Framework Document. NDPB Charity. 2025-2028. [Corrected versions: Amendment 1 - June 2025 and Amendment 2 - May 2026]
I. The British Museum (BM). Framework Document. NDPB Charity. 2025-2028. Incl. Annex A: Guidance. 32p [See document named 'Amendment 2] for latest version]. II. Annex B: Cultural freedom bodies’: Freedoms charter. 8p. III. Annex C: Commercial activities and reporting requirements. 5p. IV. The British Museum (BM). Framework Document. NDPB Charity....
Agreed to on question.
Agreed to on question.
No other work of art is as entwined with our island’s story as the Bayeux tapestry, which quite literally wove my constituency of Hastings, Rye and the villages into our national history. The tapestry’s return home after spending nearly 1,000 years across the channel is a triumph for Britain, and...
No other work of art is as entwined with our island’s story as the Bayeux tapestry, which quite literally wove my constituency of Hastings, Rye and the villages into our national history. The tapestry’s return home after spending nearly 1,000 years across the channel is a triumph for Britain, and...
I congratulate the hon. Lady. The only subject that I excelled in at school was history, but I am sure that the hon. Lady exceeded me by far. She has a love of history, as do I after all these years. Does she agree that seeing the Bayeux tapestry, that...
I congratulate the hon. Lady. The only subject that I excelled in at school was history, but I am sure that the hon. Lady exceeded me by far. She has a love of history, as do I after all these years. Does she agree that seeing the Bayeux tapestry, that...
The hon. Member is right that schoolchildren must be able to access the exhibition. They should not be put off by the price of a ticket to the exhibition or a train ticket—or even a flight in his case. It is really important. I speak as someone who went to...
The hon. Member is right that schoolchildren must be able to access the exhibition. They should not be put off by the price of a ticket to the exhibition or a train ticket—or even a flight in his case. It is really important. I speak as someone who went to...
I commend my hon. Friend for her speech. She has spoken so eloquently about the importance of history and the role of the Normans in Sussex history—our own local history—but also in our country’s history. It has been a poignant speech, and I thank her for mentioning the copy at...
I commend my hon. Friend for her speech. She has spoken so eloquently about the importance of history and the role of the Normans in Sussex history—our own local history—but also in our country’s history. It has been a poignant speech, and I thank her for mentioning the copy at...
I thank my hon. Friend. Indeed, we have many replicas of the tapestry. There is the one he mentioned in Reading museum. There is also one that Hastings borough council has in storage, and I am urging it to take it out of storage and put it on show in...
I thank my hon. Friend. Indeed, we have many replicas of the tapestry. There is the one he mentioned in Reading museum. There is also one that Hastings borough council has in storage, and I am urging it to take it out of storage and put it on show in...
I congratulate the hon. Member for Hastings and Rye (Helena Dollimore) on securing the debate. For those—perhaps our constituents—who do not know the etiquette of the House, an Adjournment debate is typically a debate for a single Member, so it is gracious of her to make time for me to...
I congratulate the hon. Member for Hastings and Rye (Helena Dollimore) on securing the debate. For those—perhaps our constituents—who do not know the etiquette of the House, an Adjournment debate is typically a debate for a single Member, so it is gracious of her to make time for me to...
I am pleased to respond to this debate. I congratulate my hon. Friend the Member for Hastings and Rye (Helena Dollimore) not only on securing this debate, but on her lovely speech. I noticed that she did a little bit of lobbying for Hastings to become the town of culture,...
I am pleased to respond to this debate. I congratulate my hon. Friend the Member for Hastings and Rye (Helena Dollimore) not only on securing this debate, but on her lovely speech. I noticed that she did a little bit of lobbying for Hastings to become the town of culture,...
It wasn’t far away!
It wasn’t far away!
It is an enormous task to deliver such a historic exhibition, but doing so in such a short timeframe is a particular challenge. Usually, exhibitions at our major museums take three to five years to plan, but the British Museum is rising to the challenge of putting this exhibition on...
It is an enormous task to deliver such a historic exhibition, but doing so in such a short timeframe is a particular challenge. Usually, exhibitions at our major museums take three to five years to plan, but the British Museum is rising to the challenge of putting this exhibition on...
I thank the Minister for his commitment to helping the children of Hastings to get to see this exhibition. Does he recognise that schools that are not as well off need help getting children to the British Museum in north London, whether by coach or train? They simply do not...
I thank the Minister for his commitment to helping the children of Hastings to get to see this exhibition. Does he recognise that schools that are not as well off need help getting children to the British Museum in north London, whether by coach or train? They simply do not...
My hon. Friend raises the key principle behind what the Secretary of State for Culture, Media and Sport and I do, in the Department and right across the country. I am an Edinburgh MP, but I remember studying the Bayeux tapestry in primary school some 40 years ago—I know that...
My hon. Friend raises the key principle behind what the Secretary of State for Culture, Media and Sport and I do, in the Department and right across the country. I am an Edinburgh MP, but I remember studying the Bayeux tapestry in primary school some 40 years ago—I know that...
To ask the Secretary of State for Culture, Media and Sport, what assessment she has made of the potential impact of the proposed loan of the Parthenon Sculptures to Greece on trends in the number of visitors to the (a) British Museum and (b) UK in the next five years.
To ask the Secretary of State for Culture, Media and Sport, what assessment she has made of the potential impact of the proposed loan of the Parthenon Sculptures to Greece on trends in the number of visitors to the (a) British Museum and (b) UK in the next five years.
No such assessment has been made.
To ask the Secretary of State for Culture, Media and Sport, whether her Department plans to increase its grant in aid funding for the Bayeux Tapestry display at the British Museum.
To ask the Secretary of State for Culture, Media and Sport, whether her Department plans to increase its grant in aid funding for the Bayeux Tapestry display at the British Museum.
The government will not be increasing grant in aid funding for the Bayeux Tapestry display at the British Museum.
The British Museum will use the ticketing revenue from the Bayeux Tapestry exhibition to support the costs of putting on this major exhibition for the visiting public, along with the accompanying public programmes. The British Museum offers concessionary tickets, including free entry for under 16s to all of its exhibitions.
To ask the Secretary of State for Culture, Media and Sport, whether the British Museum will retain the ticketing revenue from the Bayeux Tapestry exhibition.
To ask the Secretary of State for Culture, Media and Sport, whether the British Museum will retain the ticketing revenue from the Bayeux Tapestry exhibition.
The government will not be increasing grant in aid funding for the Bayeux Tapestry display at the British Museum.
The British Museum will use the ticketing revenue from the Bayeux Tapestry exhibition to support the costs of putting on this major exhibition for the visiting public, along with the accompanying public programmes. The British Museum offers concessionary tickets, including free entry for under 16s to all of its exhibitions.
To ask the Secretary of State for Culture, Media and Sport, whether she has had recent discussions with the Chair of the British Museum on the Parthenon Marbles.
To ask the Secretary of State for Culture, Media and Sport, whether she has had recent discussions with the Chair of the British Museum on the Parthenon Marbles.
As the British Museum is a DCMS Arm’s Length Body, I regularly meet and talk with the Chair. The Parthenon Sculptures is one of a number of issues that we occasionally discuss.
Decisions relating to the care and management of the Parthenon Sculptures are a matter for the British Museum Trustees, acting within the law.
The Government has no plans to change the law that would permit a permanent move of the Parthenon Sculptures.