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To ask the Chancellor of the Exchequer, pursuant to the Answer of 15 March 2021 to Question 163647, if he will publish information on the Self-Employment Income Support Scheme specifically in relation to theatrical freelances whose self-employment income was incorrectly classified as PAYE by the Royal Opera House.
To ask the Chancellor of the Exchequer, pursuant to the Answer of 15 March 2021 to Question 163647, if he will publish information on the Self-Employment Income Support Scheme specifically in relation to theatrical freelances whose self-employment income was incorrectly classified as PAYE by the Royal Opera House.
The Government is unable to comment on specific cases due to taxpayer confidentiality.
To ask the Chancellor of the Exchequer, if he will enable theatrical freelances whose self-employment income was incorrectly classified as PAYE by the Royal Opera House to claim the full grants through the Self-Employment Income Support Scheme.
To ask the Chancellor of the Exchequer, if he will enable theatrical freelances whose self-employment income was incorrectly classified as PAYE by the Royal Opera House to claim the full grants through the Self-Employment Income Support Scheme.
The Government announced at Budget 2021 that the Self-Employment Income Support Scheme (SEISS) will continue until September, with a fourth and a final fifth grant. This provides certainty to business as the economy reopens and means the SEISS continues to be one of the most generous schemes for the self-employed in the world.
HMRC work out SEISS eligibility based on information submitted by individuals on their Self-Assessment tax returns. As the deadline for 2019-20 tax returns has now passed, HMRC will now use these tax returns for the fourth and fifth grants, provided they were submitted by 2 March 2021.
This means more than 600,000 people are brought into scope who either became self-employed in 2019-20, or were ineligible for previous grants, but now may be eligible for the fourth grant on the basis of submitting their 2019-20 tax return.
The SEISS provides generous support to the self-employed, including freelancers who meet the eligibility criteria.
In addition, the Coronavirus Job Retention Scheme (CJRS) has been available to all employers with a PAYE system and all employees on PAYE regardless of their employment contract. As such, freelancers and those on short term contracts could be eligible for the CJRS if they are on PAYE and meet the eligibility criteria. The furloughing of staff through the CJRS is a voluntary arrangement, entered at the employers’ discretion and agreed by employees.
People who are ineligible for CJRS and the SEISS may qualify for other elements of the £407bn package of support the Government has made available.
To ask the Minister of State, Department for Digital, Culture, Media and Sport, how much funding was awarded to the Royal Opera House from Arts Council England in each year since 2015-16.
To ask the Minister of State, Department for Digital, Culture, Media and Sport, how much funding was awarded to the Royal Opera House from Arts Council England in each year since 2015-16.
Funding awarded to the Royal Opera House from Arts Council England since 2015-16 is as follows:
2015/16 - £26,064,991
2016/17 - £25,577,828
2017/18 - £25,498,841
2018/19 - £24,845,615
(2) what assessment she has made of the economic contribution of the Royal Opera House;
[154439]
Jonathan Evans:
(2) what assessment she has made of the economic contribution of the Royal Opera House;
[154439]
Jonathan Evans:
The economic contribution of the arts is measured in a number of ways. The Arts Council England recently published an independent report by the Centre for Economics and Business Research that showed arts and culture provided £5.9 billion of Gross Value Added in 2011. The UK's artistic and cultural sectors, combined with many world-class arts organisations remain a vital contributor to wealth generation, tourism and increasing the UK's reputation domestically and internationally for trade and visitors and Government continues to examine the value that this sector makes.
To ask the Secretary of State for Culture, Media and Sport what recent discussions he has had on future uses of the Royal Opera House production campus in Thurrock.
To ask the Secretary of State for Culture, Media and Sport what recent discussions he has had on future uses of the Royal Opera House production campus in Thurrock.
To ask the Secretary of State for Culture, Media and Sport what estimate he has made of the proportion of those attending performances at the Royal Opera House who are from socio-economic groups (a) A, (b) B, (c) C1, (d) C2, (e) D and (f) E in each year since...
To ask the Secretary of State for Culture, Media and Sport what estimate he has made of the proportion of those attending performances at the Royal Opera House who are from socio-economic groups (a) A, (b) B, (c) C1, (d) C2, (e) D and (f) E in each year since...
To ask the Secretary of State for Culture, Media and Sport what steps (a) he and (b) Arts Council England is taking to increase accessibility to performances at the Royal Opera House to those on low incomes; and if he will make a statement.
To ask the Secretary of State for Culture, Media and Sport what steps (a) he and (b) Arts Council England is taking to increase accessibility to performances at the Royal Opera House to those on low incomes; and if he will make a statement.
To ask the Secretary of State for Culture, Media and Sport how much has been granted to (a) the Royal Opera House and (b) the London Coliseum by (i) the Arts Council for England and (ii) other public bodies in each of the last five years.
To ask the Secretary of State for Culture, Media and Sport how much has been granted to (a) the Royal Opera House and (b) the London Coliseum by (i) the Arts Council for England and (ii) other public bodies in each of the last five years.
| £ million | |||||
| 2003-04 | 2004-05 | 2005-06 | 2006-07 | 2007-08 | |
| Arts Council England (ACE) Core Grant | 21,754,450 | 23,110,841 | 24,866,154 | 25,550,000 | 26,252,600 |
| Other public bodies | 0 | 0 | 0 | 0 | 0 |
| £ million | |||||
| 2003-04 | 2004-05 | 2005-06 | 2006-07 | 2007-08 | |
| Arts Council England (ACE) Core Grant | 15,000,000 | 16,078,500 | 16,556,220 | 17,011,516 | 17,479,300 |
| ACE Stabilisation Funding (Lottery) | 6,496,000 | 1,816,000 | 1,688,000 | 0 | 0 |
| ACE Restoration Closure Grant (Lottery) | 1,070,000 | 500,00 | 0 | 0 | 0 |
| ACE Restoration Award (Lottery) | 6,733,000 | 0 | 326,000 | 0 | 0 |
| Heritage Lottery Fund Restoration Award | 6,654,000 | 1,380,000 | 311,000 | 0 | 0 |
| Westminster City Council | 100,000 | 57,000 | 60,000 | 56,000 | 52,000 |
To ask the Secretary of State for Culture, Media and Sport how much grant aid the Arts Council for England has provided to (a) the Royal Opera House and (b) English National Opera in each of the last five years.
To ask the Secretary of State for Culture, Media and Sport how much grant aid the Arts Council for England has provided to (a) the Royal Opera House and (b) English National Opera in each of the last five years.
| £ million | ||
| Royal Opera House | English National Opera | |
| 2003-04 | 21,754,450 | 15,000,000 |
| 2004-05 | 23,110,841 | 16,078,500 |
| 2005-06 | 24,866,154 | 16,556,220 |
| 2006-07 | 25,550,000 | 17,011,516 |
| 2007-08 | 26,252,600 | 17,479,300 |
To ask the Secretary of State for Culture, Media and Sport in the appointment of the (a) chairman and (b) chief executive of the Royal Opera House what account was taken of the recommendation of the 2003 Higgs review of the effectiveness of non-executive directors that the role of chairman...
To ask the Secretary of State for Culture, Media and Sport in the appointment of the (a) chairman and (b) chief executive of the Royal Opera House what account was taken of the recommendation of the 2003 Higgs review of the effectiveness of non-executive directors that the role of chairman...
To ask the Secretary of State for Culture, Media and Sport what mechanisms are in place to monitor the fulfilment by the chief executive of his contractual obligations as full-time chief executive of the Royal Opera House (ROH); and whether the contract requires that the ROH is informed of the...
To ask the Secretary of State for Culture, Media and Sport what mechanisms are in place to monitor the fulfilment by the chief executive of his contractual obligations as full-time chief executive of the Royal Opera House (ROH); and whether the contract requires that the ROH is informed of the...
asked Her Majesty's Government:Whether they will provide an assurance that the recently announced bequest of £10 million to the Royal Opera House will have no impact on their usual level of funding for that institution regardless of the current need to find additional funds for the 2012 Olympic Games.
asked Her Majesty's Government:Whether they will provide an assurance that the recently announced bequest of £10 million to the Royal Opera House will have no impact on their usual level of funding for that institution regardless of the current need to find additional funds for the 2012 Olympic Games.
That this House congratulates the Royal Opera House (ROH) on securing a ??10 million donation from the Paul Hamlyn Foundation to establish a permanent Paul Hamlyn Education Fund; notes the tremendous contribution of the Foundation to the ROH and education programmes in the arts since 1986; supports the excellent education work already carried out by the ROH which has enabled thousands of young people to experience opera and ballet; believes that singing in schools leads to good behaviour and educational achievement and therefore commends the decision of the ROH to set up the Voices of the Future initiative to encourage school children to sing; and supports the other initiatives that will be funded from the donation.
That this House congratulates the Royal Opera House (ROH) on securing a ??10 million donation from the Paul Hamlyn Foundation to establish a permanent Paul Hamlyn Education Fund; notes the tremendous contribution of the Foundation to the ROH and education programmes in the arts since 1986; supports the excellent education...
To ask the Secretary of State for Culture, Media and Sport what estimate she has made of the percentage of audiences representing black and minority ethnic communities at (a) the National Theatre, (b) the Royal Opera House and (c) the English National Opera in the last year for which figures...
To ask the Secretary of State for Culture, Media and Sport what estimate she has made of the percentage of audiences representing black and minority ethnic communities at (a) the National Theatre, (b) the Royal Opera House and (c) the English National Opera in the last year for which figures...
To ask the Secretary of State for Culture, Media and Sport, what discussions he has had with the Royal Opera House regarding its concessionary ticketing policy; and if he will make a statement; what discussions he has had with the Royal Opera House regarding the availability of standby tickets; and...
To ask the Secretary of State for Culture, Media and Sport, what discussions he has had with the Royal Opera House regarding its concessionary ticketing policy; and if he will make a statement; what discussions he has had with the Royal Opera House regarding the availability of standby tickets; and...
To ask the Secretary of State for Culture, Media and Sport, when he expects a new executive director to be appointed to the Royal Opera House. (Holding answer 20 November 2000).
To ask the Secretary of State for Culture, Media and Sport, when he expects a new executive director to be appointed to the Royal Opera House. (Holding answer 20 November 2000).