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To ask the Secretary of State for Education, whether her Department holds information on the number of students that undertook undergraduate degrees in Games and Animation in the (a) 2013-14 and (b) 2023-24 academic years.
To ask the Secretary of State for Education, whether her Department holds information on the number of students that undertook undergraduate degrees in Games and Animation in the (a) 2013-14 and (b) 2023-24 academic years.
In the 2023/24 academic year, there were 15,450 undergraduate enrolments across all UK higher education (HE) providers in the subject area ‘Computer games and animation’ (common aggregation hierarchy (CAH) subject code 11-01-06).
In the 2013/14 academic year, there were 4,065 undergraduate enrolments across all UK HE providers in the subject areas ‘Games’ (Joint Academic Coding System (JACS) subject code I6) and ‘Computer generated visual & audio effects’ (JACS subject code I7).
In 2019/20, a new subject classification system, the Higher Education Classification of Subjects and the CAH, was introduced to replace the JACS. Subjects in both systems have been chosen to match as closely as possible, but counts of enrolments may not be directly comparable between the two systems.
To ask the Secretary of State for Culture, Media and Sport, what steps her Department is taking to protect the (a) creative, (b) video game and (c) animation industries from the potential impact of AI-generated content on jobs and educational programs.
To ask the Secretary of State for Culture, Media and Sport, what steps her Department is taking to protect the (a) creative, (b) video game and (c) animation industries from the potential impact of AI-generated content on jobs and educational programs.
Our consultation on the impact of AI on the copyright regime, which was published on 17 December and closed on 25 February, received over 10,000 responses. We will now consider the full range of responses we have received and will continue to develop our policy approach in partnership with creative industries, media and AI stakeholders. Addressing this is an urgent priority for the Department for Culture, Media and Sport and the Department for Science, Innovation and Technology, but no decisions will be taken until we are absolutely confident we have a practical plan that delivers for the creative industries.
The Department for Culture Media and Sport (DCMS) also works closely with the Department for Education (DfE) on skills policy affecting the creative sector. This includes DfE’s work on the reformed growth and skills levy, which will help more people learn new high-quality skills at work, including digital skills, and create routes into good, skilled jobs in growing industries.
Many video games studios already use AI tools to streamline development processes and enhance game-play experience.
To ask the Secretary of State for Digital, Culture, Media and Sport, whether he has made an assessment of the potential merits of increasing restrictions on the use of cartoons and animated figures in gambling advertising campaigns to ensure that they are not targeted at young people.
To ask the Secretary of State for Digital, Culture, Media and Sport, whether he has made an assessment of the potential merits of increasing restrictions on the use of cartoons and animated figures in gambling advertising campaigns to ensure that they are not targeted at young people.
Strict rules already ensure gambling adverts are not targeted at, or appeal to, children, or exploit the vulnerable, and these apply across all media, including online and on social media.
Gambling operators are required to comply with the advertising codes of practice issued by the Committees of Advertising Practice (CAP). These are enforced by the Advertising Standards Authority (ASA). In addition to rules covering children, the advertising codes have specific provisions to protect vulnerable people, and CAP’s new guidance in February further restricted adverts that create an inappropriate sense of urgency or give an irresponsible perception of risk or control.
Gambling adverts must not feature content that risks appealing to children, for example cartoon animals. Last year the Gambling Commission and ASA acted quickly to make clear that operators using such images were in breach of advertising rules and must remove the material or face enforcement action. In addition to rules on content, the ASA has made clear that operators advertising online must use data on customers’ interests to target marketing campaigns away from children.
The government considered gambling advertising as part of our Review of Gaming Machines and Social Responsibility Measures and set out a package of initiatives to strengthen protections further, including further CAP guidance on protecting children and young people, and tougher Gambling Commission sanctions for breaches of the advertising codes, including fines.
My Lords, the Digital Economy Act 2017 introduced a requirement for commercial providers of online pornography to have robust age-verification controls in place to prevent children and young people under 18 accessing pornographic material. Section 14(2) of the Act states:
“The Secretary of State may make regulations specifying … circumstances in...
My Lords, the Digital Economy Act 2017 introduced a requirement for commercial providers of online pornography to have robust age-verification controls in place to prevent children and young people under 18 accessing pornographic material. Section 14(2) of the Act states:
“The Secretary of State may make regulations specifying … circumstances in...
My Lords, I am pleased to speak in general support of the regulations and guidance. They relate to matters which I and others raised during the passage of the Digital Economy Bill in 2017 and, more broadly, to issues debated by the House a couple of years ago in a...
My Lords, I am pleased to speak in general support of the regulations and guidance. They relate to matters which I and others raised during the passage of the Digital Economy Bill in 2017 and, more broadly, to issues debated by the House a couple of years ago in a...
My Lords, I know that the Minister has carefully considered the definition of “commercial pornography”, and I am grateful that he has engaged with my comments on previous drafts of the regulations and that we have met in person to discuss these. Further to those conversations, I am happy to...
My Lords, I know that the Minister has carefully considered the definition of “commercial pornography”, and I am grateful that he has engaged with my comments on previous drafts of the regulations and that we have met in person to discuss these. Further to those conversations, I am happy to...
My Lords, I welcome the Government’s decision finally to lay this guidance and the regulations for the House’s approval. It has not come a moment too soon. As the Minister knows, I have been concerned for some time that we should progress implementation of Part 3 of the Digital Economy...
My Lords, I welcome the Government’s decision finally to lay this guidance and the regulations for the House’s approval. It has not come a moment too soon. As the Minister knows, I have been concerned for some time that we should progress implementation of Part 3 of the Digital Economy...
My Lords, I first apologise to the House that I missed the first two minutes of the Minister’s contribution. I would like to make some comments. Some have already been said and I hope that by repeating them, it will not lessen their impact. I am pleased to join other...
My Lords, I first apologise to the House that I missed the first two minutes of the Minister’s contribution. I would like to make some comments. Some have already been said and I hope that by repeating them, it will not lessen their impact. I am pleased to join other...
My Lords, I have some concerns about the regulations before us, although I have to say that the Government are trying to do something that is very difficult, if not impossible, which is to regulate the internet. I am perhaps not as enthusiastic as my noble friend Lady Benjamin on...
My Lords, I have some concerns about the regulations before us, although I have to say that the Government are trying to do something that is very difficult, if not impossible, which is to regulate the internet. I am perhaps not as enthusiastic as my noble friend Lady Benjamin on...
My Lords, I want to say a few words before the summing up. We need to remind ourselves that the purpose of these regulations is to protect children, including those coming up to adulthood. We are trying to prevent them thinking that some fairly unsavoury habits that are not medically...
My Lords, I want to say a few words before the summing up. We need to remind ourselves that the purpose of these regulations is to protect children, including those coming up to adulthood. We are trying to prevent them thinking that some fairly unsavoury habits that are not medically...
My Lords, we on these Benches want the regulations and draft guidance to come into effect. The child protection provisions are a significant element of the Digital Economy Act which, although not entirely in line with what we argued for during its passage, we supported in principle at the time...
My Lords, we on these Benches want the regulations and draft guidance to come into effect. The child protection provisions are a significant element of the Digital Economy Act which, although not entirely in line with what we argued for during its passage, we supported in principle at the time...
My Lords, this has been a very good debate, and I thank the Minister for his introduction, which allows us to range quite widely over the issues in play. I would observe—and I would not have it any other way—that over the last couple of years, the noble Lord, Lord...
My Lords, this has been a very good debate, and I thank the Minister for his introduction, which allows us to range quite widely over the issues in play. I would observe—and I would not have it any other way—that over the last couple of years, the noble Lord, Lord...
My Lords, I thank noble Lords for their contributions and for the myriad questions which I will try to answer, in a slightly random order. It is important that we take a bit of time to discuss these; as many noble Lords have said, this is the start of something...
My Lords, I thank noble Lords for their contributions and for the myriad questions which I will try to answer, in a slightly random order. It is important that we take a bit of time to discuss these; as many noble Lords have said, this is the start of something...
I am sure that the noble Baroness, Lady Howe, was about to leap to her feet but, to save her doing so, I mention to the Minister that he did not answer the question which she posed, and which was picked up by the noble Baroness, Lady Benjamin, about whether...
I am sure that the noble Baroness, Lady Howe, was about to leap to her feet but, to save her doing so, I mention to the Minister that he did not answer the question which she posed, and which was picked up by the noble Baroness, Lady Benjamin, about whether...
I had not forgotten that. It would obviously be difficult for me to commit to finding the necessary time but I will take that back to the department. I am not sure that it is currently within the plans of the Chief Whip to bring forward that legislation but I...
I had not forgotten that. It would obviously be difficult for me to commit to finding the necessary time but I will take that back to the department. I am not sure that it is currently within the plans of the Chief Whip to bring forward that legislation but I...
It is not the ISPs that I am worried about; it is the websites that will game the system on notification, appeals and so on. That is the bit that will take a long time.
7 pm
It is not the ISPs that I am worried about; it is the websites that will game the system on notification, appeals and so on. That is the bit that will take a long time.
7 pm
We are confident it will work, but we will have to see when it comes to the review. It is an arbitrary figure that we came to by consensus. I will leave it at that.
The noble Lord, Lord Paddick, talked about education for children about sex and relationships. We are...
We are confident it will work, but we will have to see when it comes to the review. It is an arbitrary figure that we came to by consensus. I will leave it at that.
The noble Lord, Lord Paddick, talked about education for children about sex and relationships. We are...
Lords motion to approve. Motion to regret debated and withdrawn. Original motion agreed to on question. Part 1 of 2.
Lords motion to approve. Motion to regret debated and withdrawn. Original motion agreed to on question. Part 1 of 2.
I. Letter dated 02/08/2013 from Ed Vaizey MP to the Deposited Papers Clerk regarding guidance documents in relation to The The Cultural Test (Television Programmes) Regulations 2013 (SI 2013/1831). 1 p. II. British high-end television certification: high-end television cultural test guidance notes. 23 p. III. British animation programme certification: animation cultural test guidance notes. 24 p.
I. Letter dated 02/08/2013 from Ed Vaizey MP to the Deposited Papers Clerk regarding guidance documents in relation to The The Cultural Test (Television Programmes) Regulations 2013 (SI 2013/1831). 1 p. II. British high-end television certification: high-end television cultural test guidance notes. 23 p. III. British animation programme certification: animation...
To ask the Chancellor of the Exchequer what the cost to his Department was of the commissioning, production and dissemination of the cartoon video published on his Department's website setting out the spending review strategy in June 2013.
[161855]
To ask the Chancellor of the Exchequer what the cost to his Department was of the commissioning, production and dissemination of the cartoon video published on his Department's website setting out the spending review strategy in June 2013.
[161855]
The video, ‘What is the Spending Round’, was produced within the Department using a software package which cost £16. To date this video has been viewed by 3,300 people. There was no other cost to the Department m commissioning, producing or disseminating this video.