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Proceeding contribution from Lord Lyell (Conservative) in the House of Lords on Thursday, 18 March 2010. It occurred during Debate on Culture as a Front-Line Service.


Culture as a Front-Line Service

My Lords, your Lordships may know that the noble Lord, Lord Williams, is one of the world’s great authorities on the sport of cricket. I have no claim at all to cricket, apart from being scorer of the Eton second XI; even that put me into another profession. However, it is a great pleasure to the follow the noble Lord, Lord Williams; I call it first wicket down. It is an even greater pleasure to find with us this afternoon the right reverend Prelate the Bishop of Liverpool, the author of this debate on culture and what it can do for that great city and its inhabitants. In 1984, in the course of other duties that came to me through your Lordships’ House, I had close contact with a powerful religious gentleman down the Corridor; in fact, he is still the honourable Member for North Antrim. When this parliamentary colleague asked whether I ever read the Bible, I said, "Yes, I did stay awake last Sunday". I hope that the right reverend Prelate with us today will be able to correct me if I am wrong, but Matthew 22:20 has our Lord saying: ""Show me the coin … Whose portrait is this?"." On one side was Caesar’s, on the other side was the Almighty’s. The parliamentarian in another place said that I might represent Caesar, but that he was not God. I said that too many people thought that he was, which caused considerable disturbance in that area. The right reverend Prelate is the most marvellous representative of what I call the Caesar aspect and the city of Liverpool. Today, and on other occasions, he has given marvellous leadership in your Lordships’ House. As for the other side of the coin, I will leave the Almighty to look on our venture today. I declare an interest in the city of Liverpool, in that I have shares in an institution. I hope that the noble Lord, Lord McNally, will take cover when I say that the motto is "Nil satis nisi optimum", or "Only the best will do". That is probably the motto of, and certainly evinces the qualities shown by, both the right reverend Prelate and the city of Liverpool. The right honourable lady the Member for Liverpool Wavertree, in the year of culture, organised an event in the Members’ Dining Room of the other place. There were five boys and girls who came with cellos and at least one harp, if not two. They came from Kensington Junior School and the Sacred Heart Primary School to play in the Palace of Westminster under the guidance and at the instigation of the Royal Liverpool Philharmonic Orchestra. That evening, I met the maestro Vasily Petrenko—I understand that that is how one can refer to the principal conductor of such an organisation. He corrected me on various aspects of Liverpool, music and his own career. It may have been him or other leading members of the Royal Liverpool Philharmonic who started to encourage these five young boys and girls to take an interest in music, but, to follow the wonderful speech of the right reverend Prelate, the Royal Liverpool Philharmonic, Vasily and the others responsible have unlocked the talent of those boys and girls—and, I suspect, of their parents and other people in that great city. Indeed, I was given a briefing yesterday from the Royal Liverpool Philharmonic. A group called the West Everton Children’s Orchestra visits two, three or four primary schools—I do not know how many. I understand that it is given blanket coverage and that an inordinate amount of interest is taken in music and instrumental activities. That is an aspect of culture, which we are discussing this afternoon. The West Everton Children’s Orchestra is one of three such organisations in England; there is a similar organisation in the Stirling area of Scotland. Certainly, from what I saw in the Members’ Dining Room in 2008, with the enormous success and enthusiasm under the cultural leadership of the great city of Liverpool, there is a feeling that youngsters and others can move out and, above all, unlock their talents and enjoy themselves. The magnificent city of Liverpool is 300 miles from my home in the boondocks of Scotland. The first time I visited Liverpool, as part of my military duties, I went to a Scots Guards dinner with various others and did not get into too much trouble. I visited Liverpool again in 1965, when I went to the Grand National at Aintree. I remember sitting in the back of an open Land Rover. There was somebody with a placard, who may have a connection with the right reverend Prelate. He howled at me, "By their fruits ye shall know them". Today of all days, I return that instant volley to the right reverend Prelate; by what he has done, and is doing today, we know him, and we thank him. The other dates in my diary are 13 and 14 October 1967 and 11 November 1967, when occurred two great events in my life that caused me to have great love for the great city of Liverpool. It is not merely 300 miles from my home, or 200 miles from where we are now. A mere 20 metres away, in the Royal Gallery of your Lordships’ House, we find a huge painting by Daniel Maclise. I understand that the measurements of the painting in the Royal Gallery are 18 feet tall by 54 feet wide. When I made a brief cultural visit to the Walker Art Gallery in Liverpool one morning, I had not necessarily been overindulging or done something dreadful, but I thought that I was familiar with that picture—the original of Daniel Maclise’s "The Death of Nelson" is in there. I was certainly not surprised, but I was agreeably delighted that I could see in Liverpool paintings and culture of that nature. I have referred to the Royal Liverpool Philharmonic Orchestra. I have been in the Philharmonic Hall not once but twice. Once, I even made a speech—I did not sing—in connection with an event with which the noble Lord, Lord McNally, and the right reverend Prelate may be familiar. It was an awards ceremony at which I was invited to say a few words. I was proud and delighted to be there. I thank the right reverend Prelate for showing us what can be done by unlocking the talents of the young people in Liverpool, as the Royal Liverpool Philharmonic has done. What was done in 2008 sowed the seeds for the future. I am very grateful to the right reverend Prelate for introducing the debate and I look forward to hearing what the Minister has to say.


Secondary information

Type
Proceeding contribution
Reference
718 c716-8 
Session
2009-10
Chamber / Committee
House of Lords chamber
Subjects
Arts Culture Finance Museums and galleries Liverpool European Capital of Culture
Link
View this Proceeding contribution on www.publications.parliament.uk