1-20 of 33 results for subject:Artworks
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To ask the Secretary of State for Digital, Culture, Media and Sport, what recent discussions she has had with representatives of the art market and artists on artist's resale rights.
To ask the Secretary of State for Digital, Culture, Media and Sport, what recent discussions she has had with representatives of the art market and artists on artist's resale rights.
My officials and those of the Intellectual Property Office meet with representatives of the art market and artists on a regular basis to discuss a wide range of issues including on artist's resale rights. Details of ministerial meetings are published quarterly on the Gov.uk website.
To ask the Secretary of State for Digital, Culture, Media and Sport, if she will take steps to ensure that national collections and other recipients of public funding make digital image seize of copyright painting, prints and drawings held in public collections free of charge to non-commercial causes and for...
To ask the Secretary of State for Digital, Culture, Media and Sport, if she will take steps to ensure that national collections and other recipients of public funding make digital image seize of copyright painting, prints and drawings held in public collections free of charge to non-commercial causes and for...
To ask the Secretary of State for Digital, Culture, Media and Sport, what discussions she has had with representatives from national museums sponsored by her Department on the issue of copyright on photographic reproductions of paintings, prints and drawings in the collections of those museums; and if she will make...
To ask the Secretary of State for Digital, Culture, Media and Sport, what discussions she has had with representatives from national museums sponsored by her Department on the issue of copyright on photographic reproductions of paintings, prints and drawings in the collections of those museums; and if she will make...
Decisions about image reproduction, reproduction fees, and related copyright, are operational matters for the national museums as arm’s length bodies of government. As such, we do not hold data on the amount of income raised by image fees.
Details of the process for requesting permission to reproduce images can be found on the respective websites of the national museums.
To ask the Secretary of State for Digital, Culture, Media and Sport, what estimate her Department has made of the total net income received by national museums sponsored by her Department as a result of charging for photographic reproductions of out of copyright artworks in the last financial year for...
To ask the Secretary of State for Digital, Culture, Media and Sport, what estimate her Department has made of the total net income received by national museums sponsored by her Department as a result of charging for photographic reproductions of out of copyright artworks in the last financial year for...
Decisions about image reproduction, reproduction fees, and related copyright, are operational matters for the national museums as arm’s length bodies of government. As such, we do not hold data on the amount of income raised by image fees.
Details of the process for requesting permission to reproduce images can be found on the respective websites of the national museums.
To ask Her Majesty's Government whether National Museums will review their imaging policies in the light of recent calls to abolish image fees for out of copyright paintings, prints and drawings.
To ask Her Majesty's Government whether National Museums will review their imaging policies in the light of recent calls to abolish image fees for out of copyright paintings, prints and drawings.
Decisions about image licensing and fees, and related copyright, are operational matters for the national museums as arm’s length bodies of government. As such, we do not hold data on the amount of income raised by image fees, on licences offered or the impact of fees on academic use.
Details of the process for requesting permission to reproduce images can be found on the respective websites of the national museums. The policies of both the National Gallery and the National Portrait Gallery for example, allow some print reproduction of images for scholarly purposes free of charge, and several national museums offer or may offer a discount where image reproduction is for an academic purpose. Others, such as the British Museum and Science Museum, allow images to be used by the public under a Creative Commons licence. Additionally, many national museums have demonstrated significant efforts towards digitising their collections and in doing so are making our national collections accessible to the nation in new ways.
National museums are bound to provide free, in person, access to the permanent collections as a condition of government Grant-in-aid (GIA) funding and this policy has been a great success. Provided this condition is met, national museums are permitted and encouraged to pursue commercial activities, which may include image licensing. Such activities are an important supplement to museums in supporting their objectives to facilitate participation for people of all ages and backgrounds.
To ask Her Majesty's Government what assessment they have made of the impact of the charging of image fees for academic use by National Museums on their use in academic lectures and publications.
To ask Her Majesty's Government what assessment they have made of the impact of the charging of image fees for academic use by National Museums on their use in academic lectures and publications.
Decisions about image licensing and fees, and related copyright, are operational matters for the national museums as arm’s length bodies of government. As such, we do not hold data on the amount of income raised by image fees, on licences offered or the impact of fees on academic use.
Details of the process for requesting permission to reproduce images can be found on the respective websites of the national museums. The policies of both the National Gallery and the National Portrait Gallery for example, allow some print reproduction of images for scholarly purposes free of charge, and several national museums offer or may offer a discount where image reproduction is for an academic purpose. Others, such as the British Museum and Science Museum, allow images to be used by the public under a Creative Commons licence. Additionally, many national museums have demonstrated significant efforts towards digitising their collections and in doing so are making our national collections accessible to the nation in new ways.
National museums are bound to provide free, in person, access to the permanent collections as a condition of government Grant-in-aid (GIA) funding and this policy has been a great success. Provided this condition is met, national museums are permitted and encouraged to pursue commercial activities, which may include image licensing. Such activities are an important supplement to museums in supporting their objectives to facilitate participation for people of all ages and backgrounds.
To ask Her Majesty's Government whether National Museums will consider providing open access to images of publicly owned, out of copyright paintings, prints, and drawings so that they are free for the public to reproduce; and whether they have held discussions with non-UK museums about such access.
To ask Her Majesty's Government whether National Museums will consider providing open access to images of publicly owned, out of copyright paintings, prints, and drawings so that they are free for the public to reproduce; and whether they have held discussions with non-UK museums about such access.
Decisions about image licensing and fees, and related copyright, are operational matters for the national museums as arm’s length bodies of government. As such, we do not hold data on the amount of income raised by image fees, on licences offered or the impact of fees on academic use.
Details of the process for requesting permission to reproduce images can be found on the respective websites of the national museums. The policies of both the National Gallery and the National Portrait Gallery for example, allow some print reproduction of images for scholarly purposes free of charge, and several national museums offer or may offer a discount where image reproduction is for an academic purpose. Others, such as the British Museum and Science Museum, allow images to be used by the public under a Creative Commons licence. Additionally, many national museums have demonstrated significant efforts towards digitising their collections and in doing so are making our national collections accessible to the nation in new ways.
National museums are bound to provide free, in person, access to the permanent collections as a condition of government Grant-in-aid (GIA) funding and this policy has been a great success. Provided this condition is met, national museums are permitted and encouraged to pursue commercial activities, which may include image licensing. Such activities are an important supplement to museums in supporting their objectives to facilitate participation for people of all ages and backgrounds.
To ask Her Majesty's Government why National Museums charge fees to reproduce images of historic paintings, prints and drawings in their collections; whether they have received legal advice relating to the copyright issues applying to such reproductions; and if so, what that advice was.
To ask Her Majesty's Government why National Museums charge fees to reproduce images of historic paintings, prints and drawings in their collections; whether they have received legal advice relating to the copyright issues applying to such reproductions; and if so, what that advice was.
Decisions about image licensing and fees, and related copyright, are operational matters for the national museums as arm’s length bodies of government. As such, we do not hold data on the amount of income raised by image fees, on licences offered or the impact of fees on academic use.
Details of the process for requesting permission to reproduce images can be found on the respective websites of the national museums. The policies of both the National Gallery and the National Portrait Gallery for example, allow some print reproduction of images for scholarly purposes free of charge, and several national museums offer or may offer a discount where image reproduction is for an academic purpose. Others, such as the British Museum and Science Museum, allow images to be used by the public under a Creative Commons licence. Additionally, many national museums have demonstrated significant efforts towards digitising their collections and in doing so are making our national collections accessible to the nation in new ways.
National museums are bound to provide free, in person, access to the permanent collections as a condition of government Grant-in-aid (GIA) funding and this policy has been a great success. Provided this condition is met, national museums are permitted and encouraged to pursue commercial activities, which may include image licensing. Such activities are an important supplement to museums in supporting their objectives to facilitate participation for people of all ages and backgrounds.
To ask the Secretary of State for Business, Energy and Industrial Strategy, what steps his Department is taking to ensure that the artist's resale right will continue to apply to artists and their heirs after the UK leaves the EU.
To ask the Secretary of State for Business, Energy and Industrial Strategy, what steps his Department is taking to ensure that the artist's resale right will continue to apply to artists and their heirs after the UK leaves the EU.
The UK artist’s resale right stems from the implementation of Directive 2001/84/EC on the resale right for the benefit of the author of an original work of art. The European Union (Withdrawal) Bill has powers to transpose directly-applicable EU law into UK law on exit, including the EU Directive on artist’s resale rights.
To ask the Secretary of State for Digital, Culture, Media and Sport, what discussions she has had with the Taiwanese Government to display works of art from the National Palace Museum of Taiwan in British museums.
To ask the Secretary of State for Digital, Culture, Media and Sport, what discussions she has had with the Taiwanese Government to display works of art from the National Palace Museum of Taiwan in British museums.
DCMS has had no discussions with the Taiwanese authorities about the display of artworks from the National Palace Museum, Taipei at British museums.
To ask the Secretary of State for Exiting the European Union, what estimate his Department has made of the value of the European Parliament's art collection.
To ask the Secretary of State for Exiting the European Union, what estimate his Department has made of the value of the European Parliament's art collection.
The Department for Exiting the European Union does not hold this information. This information is held by the European Parliament. Given this, we cannot provide an estimate.
To ask the Secretary of State for Digital, Culture, Media and Sport, what assessment she has made of the representation of BME people in (a) the Royal Collection and (b) the national collection of art; and what proportion of those portrayed in the visual arts in each of those collections...
To ask the Secretary of State for Digital, Culture, Media and Sport, what assessment she has made of the representation of BME people in (a) the Royal Collection and (b) the national collection of art; and what proportion of those portrayed in the visual arts in each of those collections...
The Department does not hold the data requested.
The Government is clear that it expects DCMS-sponsored museums to represent our diverse society in their artistic talent, workforce and audiences. DCMS-sponsored museums and galleries that actively collect and commission works of art are taking steps to interpret and add to their existing collections in ways that reflect contributions of black and minority ethnic (BME) people
The Royal Collection is a private art collection of the British Royal Family. The Royal Collection Trust is responsible for its acquisitions.
To ask the Secretary of State for Business, Energy and Industrial Strategy, what recent assessment he has made of the trends in income from artists resale rights.
To ask the Secretary of State for Business, Energy and Industrial Strategy, what recent assessment he has made of the trends in income from artists resale rights.
The Government has made no such assessment. Like other licensing schemes run in the UK, the collection of artist’s resale right is managed by collective management organisations on behalf of artists. These organisations, which include DACS and the Artist’s Collecting Society, are mandated by artists to collect on their behalf, and are responsible for publishing information on artist income generated from the resale right.
That this House believes that the Prime Minister's Office, and all those concerned with the location and operation of the proposed prominent National Holocaust Memorial and Learning Centre, should, together with the Department for Communities and Local Government and other key stakeholders, compare the merits, demerits and costs of sites at Millbank by Tate Britain, the Imperial War Museum, Potters Field and Victoria Tower Gardens.
That this House believes that the Prime Minister's Office, and all those concerned with the location and operation of the proposed prominent National Holocaust Memorial and Learning Centre, should, together with the Department for Communities and Local Government and other key stakeholders, compare the merits, demerits and costs of sites...
That this House understands that the Government has accepted the recommendations of the Holocaust Commission whose report indicated suitable sites near Tate Britain at Millbank, near City Hall at Potters Field and by the Imperial War Museum; notes the apparent failure to consult locally and more widely before the proposal to try to shoe-horn an extensive, prominent Memorial and Learning Centre onto and into the small public open Victoria Tower Gardens; and calls on the Government to suspend the process in order to consider objections in the Jewish Chronicle by users of the Garden and by those who prefer a choice of one of the first three sites.
That this House understands that the Government has accepted the recommendations of the Holocaust Commission whose report indicated suitable sites near Tate Britain at Millbank, near City Hall at Potters Field and by the Imperial War Museum; notes the apparent failure to consult locally and more widely before the proposal...
That this House congratulates Friends of Kelvindale Railway Station and Kelvindale Art for its inspiring plan to transform Kelvindale train station into a vibrant open air art gallery, wildflower and butterfly garden; commends their pioneering vision to open the first open-air railway art gallery of its kind in Scotland; notes that funding has been provided by the Glasgow Community Planning Partnership, Grow Wild, and the Scotrail Biodiversity Fund managed by Keep Scotland Beautiful and overseen by the Scottish Government's Climate Change Challenge Fund; appreciates the determination and imaginative vision of Helen Ntabeni in realising the project; understands the importance of creating civic art spaces that will engage the local community and local school children in outdoor learning and provide a healthy and beautiful environment to enjoy; and wishes Friends of Kelvindale Railway Station and Kelvindale Art all the very best in its ambitious endeavours to engage the imaginations of the local community and encourages the community to get involved.
That this House congratulates Friends of Kelvindale Railway Station and Kelvindale Art for its inspiring plan to transform Kelvindale train station into a vibrant open air art gallery, wildflower and butterfly garden; commends their pioneering vision to open the first open-air railway art gallery of its kind in Scotland; notes...
Chester cathedral already has a very strong reputation for the provision of excellent services to its visitors and its local community. Indeed, for over 1,000 years, the Church has been a patron of the arts. Churches and cathedrals provide an excellent venue for exhibitions; I am convinced that the cathedral in Chester is a very good venue for them.
Chester cathedral already has a very strong reputation for the provision of excellent services to its visitors and its local community. Indeed, for over 1,000 years, the Church has been a patron of the arts. Churches and cathedrals provide an excellent venue for exhibitions; I am convinced that the cathedral in Chester is a very good venue for them.
What assessment the Commissioners have made of the use of churches and cathedrals as venues for art exhibitions.