101-200 of 346 results for subject:Opera
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That this House greatly regrets the current situation at the English National Opera; recognises the contribution of the choristers to the success and quality of performances at the English National Opera; notes that the English National Opera, despite giving assurances to the choristers trade union, Equity, that during its closure their number would be maintained, intends to cut their number by a third; fears for the future of the English National Opera if these cuts go ahead; further notes that the English National Opera has already gone through stabilisation with the Arts Council of England and is seeking more money to pay for these redundancies; and urges the Government immediately to review the situation.
That this House greatly regrets the current situation at the English National Opera; recognises the contribution of the choristers to the success and quality of performances at the English National Opera; notes that the English National Opera, despite giving assurances to the choristers trade union, Equity, that during its closure...
To ask the Secretary of State for Culture, Media and Sport, what representations she has received concerning the Carla Rosa Opera Company; and if she will make a statement.
To ask the Secretary of State for Culture, Media and Sport, what representations she has received concerning the Carla Rosa Opera Company; and if she will make a statement.
To ask the Secretary of State for Culture, Media and Sport, what the total value of (i) government assistance and (ii) Lottery assistance since 1997 has been in cash and real terms to (a) opera companies, (b) ballet companies, (c) classical orchestras and (d) popular music groups; and if he...
To ask the Secretary of State for Culture, Media and Sport, what the total value of (i) government assistance and (ii) Lottery assistance since 1997 has been in cash and real terms to (a) opera companies, (b) ballet companies, (c) classical orchestras and (d) popular music groups; and if he...
To ask the Secretary of State for Culture, Media and Sport, on how many occasions he has made official visits to (a) the opera and (b) the ballet since May 1997. - Includes figures.
To ask the Secretary of State for Culture, Media and Sport, on how many occasions he has made official visits to (a) the opera and (b) the ballet since May 1997. - Includes figures.
Lords debate on motion to call attention to the care for promoting access to, and education and training in, the arts. Motion withdrawn.
Lords debate on motion to call attention to the care for promoting access to, and education and training in, the arts. Motion withdrawn.
To ask the Secretary of State for Culture, Media and Sport, What were the total public subsidies paid to (a) opera, (b) live theatre and (c) poetry in the last financial year. (Failed OPQ).
To ask the Secretary of State for Culture, Media and Sport, What were the total public subsidies paid to (a) opera, (b) live theatre and (c) poetry in the last financial year. (Failed OPQ).
To ask the Secretary of State for Culture, Media and Sport, how many opera performances have been cancelled by the Royal Opera House since the publication of the new season's programme; and at what estimated cost in lost revenue income. - Inc figure. (Holding answer 17 January 2000).
To ask the Secretary of State for Culture, Media and Sport, how many opera performances have been cancelled by the Royal Opera House since the publication of the new season's programme; and at what estimated cost in lost revenue income. - Inc figure. (Holding answer 17 January 2000).
Debate on a motion for the adjournment on government support for the arts.
Debate on a motion for the adjournment on government support for the arts.
That this House congratulates the National Operatic and Dramatic Association on its centenary; acknowledges that since its formation in 1899 it has protected and advanced the interests of operatic and dramatic art and its member societies; notes that currently more than 2,300 societies are affiliated; and wishes the Association and its members continued success in its second 100 years.
That this House congratulates the National Operatic and Dramatic Association on its centenary; acknowledges that since its formation in 1899 it has protected and advanced the interests of operatic and dramatic art and its member societies; notes that currently more than 2,300 societies are affiliated; and wishes the Association and...
To ask the Secretary of State for Culture, Media and Sport, what steps he has taken to secure the future of the D'Oyly Carte Opera Company. - (Holding answer 30 July 1998).
To ask the Secretary of State for Culture, Media and Sport, what steps he has taken to secure the future of the D'Oyly Carte Opera Company. - (Holding answer 30 July 1998).
That this House deeply regrets the failure of the Government and the Arts Council to provide any funding to the D'Oyly Carte Opera Company to sustain what is quintessentially part of the English cultural and musical heritage, and the Arts Council's unwillingness to recognise the D'Oyly Carte opera company as worthy of a place on the list of organisations given client status for regular funding, in spite of the fact that the company has been the custodian of a unique part of the British musical tradition for more than 120 years; notes that the D'Oyly Carte brings Gilbert and Sullivan to a non-elitist audience across the whole of Britain at the price range of ??8 to ??22 per seat, making it by far the largest and most prolific touring company in the United Kingdom which is not in receipt of any regular funding by the Arts Council; feels that since more than 83 per cent. of the income of the D'Oyly Carte opera company is raised through the box office and private sector donations, and the company is financially and managerially well-run and shares none of the overheads and administrative costs of the Royal Opera House, Covent Garden, support for D'Oyly Carte gives much better value than most other forms of musical endeavour; congratulates Sir Michael Bishop, Chairman of D'Oyly Carte and Raymond Gubbay Ltd. for establishing an association to market, promote and develop the future of G and S operettas can continue to be a part of Britain's great musical heritage as it moves towards the millennium.
That this House deeply regrets the failure of the Government and the Arts Council to provide any funding to the D'Oyly Carte Opera Company to sustain what is quintessentially part of the English cultural and musical heritage, and the Arts Council's unwillingness to recognise the D'Oyly Carte opera company as...
Wednesday adjournment debate on the policy of the Arts Council towards touring light operetta: the case of the D'Oyly Carte Opera Company.
Wednesday adjournment debate on the policy of the Arts Council towards touring light operetta: the case of the D'Oyly Carte Opera Company.
Lords debate on unstarred question on what measures, if any, they can take to help to save the D'Oyly Carte Opera Company.
Lords debate on unstarred question on what measures, if any, they can take to help to save the D'Oyly Carte Opera Company.
To comment on his funding proposals for the D'Oyly Carte Opera Company.
To comment on his funding proposals for the D'Oyly Carte Opera Company.
To ask the Secretary of State for Culture, Media and Sport, how much public funding was given to touring opera companies in the last three available years; what was the breakdown of this funding. - Inc tables and figs. (Holding answer 2 March 1998).
To ask the Secretary of State for Culture, Media and Sport, how much public funding was given to touring opera companies in the last three available years; what was the breakdown of this funding. - Inc tables and figs. (Holding answer 2 March 1998).
That this House recognises that the D'Oyly Carte Opera Company has been the custodian of a unique part of Britain's musical heritage in performing Gilbert and Sullivan operettas for more than 120 years; notes that the Company, which tours to 36 towns and cities throughout Britain, faces imminent closure; further notes that the D'Oyly Carte bring Gilbert and Sullivan to a non-elitist audience across the whole of Britain in the price range of ??8 to ??22 per seat, that it is by far the largest and most prolific touring company in the United Kingdom which is not in receipt of any regular funding by the Arts council and that more than 80 per cent of the D'Oyly Carte Opera Company's income has been raised through the box office and the private sector; and calls on the Government and the Arts Council to recognise the D'Oyly Carte Opera Company as worthy of a place on the list of organisations given client status for regular funding by the Arts Council.
That this House recognises that the D'Oyly Carte Opera Company has been the custodian of a unique part of Britain's musical heritage in performing Gilbert and Sullivan operettas for more than 120 years; notes that the Company, which tours to 36 towns and cities throughout Britain, faces imminent closure; further...
To ask the Secretary of State for Culture, Media and Sport, what initiatives he proposes to increase access for young people and those on low pay to ballet and opera.
To ask the Secretary of State for Culture, Media and Sport, what initiatives he proposes to increase access for young people and those on low pay to ballet and opera.
Correspondance between Sir Richard Eyre and the DCMS regarding the establishment of a working group to discuss the future of the Royal Opera House and English National Opera. DCMS. 1997.
Correspondance between Sir Richard Eyre and the DCMS regarding the establishment of a working group to discuss the future of the Royal Opera House and English National Opera. DCMS. 1997.
To ask the Secretary of State for Culture, Media and Sport, what is his policy toward promoting provincial touring light operetta. (Failed OPQ).
To ask the Secretary of State for Culture, Media and Sport, what is his policy toward promoting provincial touring light operetta. (Failed OPQ).
When Sir Richard Eyre's working group on the future of the Royal Opera House and English National Opera will begin its work. - Includes ref to consultation letter and letter to Sir Richard setting out terms of reference for the review (in Library Dep/3 5522).
When Sir Richard Eyre's working group on the future of the Royal Opera House and English National Opera will begin its work. - Includes ref to consultation letter and letter to Sir Richard setting out terms of reference for the review (in Library Dep/3 5522).
How much Lottery funding has been awarded to (a) opera music related projects and (b) jazz music related projects.
How much Lottery funding has been awarded to (a) opera music related projects and (b) jazz music related projects.
What recent representations she has received from the British Youth Opera; what reply she is sending; what action she is taking. (Holding answer 13 November 1996).
What recent representations she has received from the British Youth Opera; what reply she is sending; what action she is taking. (Holding answer 13 November 1996).
How many letters he has received (a) from organisations and individuals in Wales and (b) from honourable Members representing Welsh constituencies concerning adverse effects following on the failure to secure Millennium Fund backing for the National Opera House/Lyric Theatre in Wales.
How many letters he has received (a) from organisations and individuals in Wales and (b) from honourable Members representing Welsh constituencies concerning adverse effects following on the failure to secure Millennium Fund backing for the National Opera House/Lyric Theatre in Wales.
What measures are proposed to ensure that all school children are introduced to a major opera or ballet production during their school years. (Failed OPQ)
What measures are proposed to ensure that all school children are introduced to a major opera or ballet production during their school years. (Failed OPQ)
What is his latest estimate of the subsidy paid out of public funds for each seat at opera performances in England. (Failed OPQ) - The most recent available figures are for 1994-95, when the average subsidy per seat, for those opera companies funded by the Arts Council of England, was...
What is his latest estimate of the subsidy paid out of public funds for each seat at opera performances in England. (Failed OPQ) - The most recent available figures are for 1994-95, when the average subsidy per seat, for those opera companies funded by the Arts Council of England, was...
That this House seeks to congratulate Scottish Opera on the excellence of its international reputation; and calls on Her Majesty's Government to ensure that Scottish Opera receives Arts funding of at least a level equivalent to that enjoyed by other regional opera companies in the United Kingdom.
That this House seeks to congratulate Scottish Opera on the excellence of its international reputation; and calls on Her Majesty's Government to ensure that Scottish Opera receives Arts funding of at least a level equivalent to that enjoyed by other regional opera companies in the United Kingdom.
What sum has been made available from public funds directly or indirectly to the Royal Opera House since 1980 in 1994 prices; what was the amount per seat; and what research he has carried out as to the beneficiaries of this expenditure. - Inc table.
What sum has been made available from public funds directly or indirectly to the Royal Opera House since 1980 in 1994 prices; what was the amount per seat; and what research he has carried out as to the beneficiaries of this expenditure. - Inc table.
Debate on a motion for adjournment on arts. (Inc fact that Arts Council of Great Britain replaced with effect from 1 April 1994, by Arts Councils of England, Scotland and Wales).
Debate on a motion for adjournment on arts. (Inc fact that Arts Council of Great Britain replaced with effect from 1 April 1994, by Arts Councils of England, Scotland and Wales).